Conor Flynn O'Donnell
About Conor Flynn O'Donnell
My work is very meta as it is discussing painting through painting. I am interested in the expansion of public and private art collections and the way abstraction from its earliest beginnings instantly fed into all aspects of our lives and how this changed the way we see our world. Observations of non-functional design/abstraction in urban settings have become the starting point to ask questions about perceived perfection in our environment. Does perfection exist and why does our mind seem to be searching for it constantly? Is chaos too chaotic for our minds to deal with? The brain will re-align things into a perfect grid or a perceived perfect grid, even when things are obviously misaligned. The eye and brain are not accurate but are the best possible reasoning given the available data. I want to see how, as an artist, I can manipulate this data using the accuracies or inaccuracies in my work as a language.
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Painting: Oil on Canvas. Size: 15.7 H x 19.7 W x 0.8 in I have found myself searching for ways of making lines and shapes that embraces imperfection rather than fights it. In this painting I did not want the viewer to get a sense of allienation caused by our obsession with perfection. I wanted to create a a strong visceral experience for the viewer that bypassed our need to critique. Keywords: real, simplicity, visceral, organic, direct, temperature, intense
Painting: Oil on Canvas. Size: 15.7 H x 19.7 W x 0.8 in I am very interested in the way abstraction from its earliest beginnings instantly fed into all aspects of our lives and how this changed the way we see our world. I think a lot of my recent work has been finding examples of this lineage and reinterpreting it back into painting. Keywords: fed, abstraction, history, interpretation, lineage
Painting: Oil on Canvas. Size: 47.2 H x 59.1 W x 1.6 in I wanted this piece to be very direct in its engagement with the viewer. In a way it is a representation of my memories of television as a child. The brain will re-align things into a perfect grid or a perceived perfect grid, even when things are obviously misaligned. The eye and brain are not accurate but are the best possible reasoning given the available data. I want to see how, as an artist, I can manipulate this data and effect the m
Painting: Oil on Canvas. Size: 15.7 H x 19.7 W x 0.8 in I have found myself searching for ways of making lines and shapes that embraces imperfection rather than fights it. In this painting I did not want the viewer to get a sense of allienation caused by our obsession with perfection. I wanted to create a a strong visceral experience for the viewer that bypassed our need to critique. Keywords: real, simplicity, visceral, organic, direct, temperature, intense